Let the ink flow: Collectors and craftsmen keep fountain pens alive in Hyderabad

Boxes open, pouches are unzipped and their contents — fine writing instruments — emerge. There is appreciative clicking of tongues and quiet gasps of excitement. Spread across the table before discerning eyes are polished ebonite barrels in ripples of black, green and burgundy. Patiently lacquered bodies, dried over several months, gleam beside them. Others are mildly frosted while a few are transparent, fashioned from acrylic. Bottles of ink, in hues ranging from a dark, moonless night to the sheen of green olives, occupy a corner. At the Hyderabad Fountain Pen Club’s congregation, fountain pen enthusiasts come together to experience the essential troika of writing: fountain pens, paper and ink.At a time when even note-taking is done using artificial intelligence-driven transcription apps, and school projects are prepared with visual AI suites, the idea, enthusiasts say, is to share, compare, test and experience this troika.“It is like the quintessential numaish of pens,” says Shreyas Yedla, a founding member of the Hyderabad Fountain Pen Club (HFPC), drawing an analogy with the Hyderabadi tradition of attending the All India Industrial Exhibition. “While some are crazy about premium pens, others are obsessed with inks, and some with paper.”For years, fountain pen enthusiasts largely pursued the hobby in silos. What was missing was a community. The COVID-19 pandemic proved to be the catalyst. “It was a lonely hobby about 10 years ago,” says Navin Sigamany, also a founding member of HFPC. “What started in 2016 on Facebook became bigger during the pandemic. The community grew then. People had some money to spend. They got to know penmakers other than those from their hometowns. Rajahmundry is famous for handmade pens. The whole thing, as a subculture, exploded. We first met in 2022 at Pelikan Hub, and have been meeting every month since.”For Nuvvala Srikanth, fountain pens became part of his recovery. Although he had used them as a child, he returned to them after suffering a health episode that affected the right side of his body. As part of his rehabilitation, doctors advised him to write a page every day. “Since it was therapy, I wanted feedback from the nib, so I and got it customised.”Around the table, latest acquisitions make their rounds. A newly acquired acrylic pen is passed around, it is tested on paper of varying GSM. Then comes a Pilot Custom Urushi belonging to Nikhil Bhargav M, its painstaking craftsmanship becoming the subject of a short discussion. Layer upon layer of lacquer applied over several weeks has given the pen its remarkable depth of colour. There is appreciation, even awe.The choice of fountain pens at the club appears to be those handmade from ebonite, a vulcanised rubber which was developed in the 19th century.It is here that conversation turns towards Hyderabad’s penmakers. Raj Ahmed, a member of the HFPC, holds up a fountain pen and underscores its maker: PLP, short for Poona Laxmi Pathi, a veteran of the craft. Inside his workshop, PLP sits on a stool, fitting a pen nib into an ebonite barrel he has turned with his own hands. He looks up and says, “There are 35 operations that go into making a single pen. Ebonite rods, which are procured from Chennai, some two-and-a-half to three feet in length, are cut, and then hand-turned. The rods are bored. The ebonite is threaded by hand and hand polished. I am satisfied only when the pen is perfect. We make about eight to 10 pens a day. It was always about quality, never money.”Now 73 PLP comes from a family of goldsmiths. At the age of 12, he apprenticed with Road Transport Corporation’s engineering division staff. It is here that he learned to operate a lathe machine. Peering over his glasses as he checks the threading inside the barrel, he recalls, “In 1969, I worked for a pen company called Misak, it was Kasim spelled backwards. Then I worked for other pen makers like Hema and Milap. I also worked for the Deccan Pen Store. La