National Handloom Day: Inside the Bonda tribe’s enduring Ringa weaving tradition
The Ringa is the traditional handwoven garment worn by Bonda women as a wraparound skirt.

The Ringa is the traditional handwoven garment worn by Bonda women as a wraparound skirt.

“Every Ringa we weave carries our family’s story,” says Muduli, gently running her hand over the striped cloth she has just taken off the loom in Gokharipada village of Odisha’s Malkangiri district.The Ringa is the traditional handwoven garment worn by Bonda women as a wraparound skirt. Woven with striking horizontal stripes with bands of red, maroon, black, white and blue, it has long been an emblem of the Bonda tribe, one of India’s Particularly Vulnerable Tribal Groups (PVTGs).Living in the Bonda Hills of Malkangiri district, the community has safeguarded its language, customs and weaving tradition over generations. In this matriarchal society, women carry forward much of that cultural memory, preserving the art of weaving even as the modern world steadily reaches their remote villages.Anthropologists believe the Bondas are descendants of one of the earliest waves of modern humans to leave Africa nearly 60,000 years ago, though this remains a subject of ongoing research. Their language, Remo, distinct customs and attire have endured despite increasing contact with the outside world. The Bondas accord women a central place in family and community life. Women cultivate crops, collect forest produce, negotiate at the weekly Thursday shandy and preserve traditions such as weaving, passing them from one generation to the next.Every Thursday, women from villages such as Gokharipada descend from the hills to the weekly shandy at the Onukudelli market. Layers of brightly coloured bead necklaces cover their torsos, aluminium neck rings gleam in the sun, blue shawls draped across their shoulders and the handwoven Ringa wraps around their waist.From kerang to cottonHistorically, the garment was woven using fibre extracted from the Kerang tree (a small wild shrub native to the Eastern Ghats). Cotton yarn gradually replaced bark fibre as markets became more accessible, although the visual identity of the textile has remained largely unchanged.“What makes the Bonda weaving tradition unique is that it has always been closely tied to the community’s identity rather than to commerce,” says Navaldeep Thareja, a textile engineer from Sangrur in Punjab. Over the past several years, he has travelled to little-known weaving and craft clusters across India, documenting textile traditions that seldom find space in mainstream conversations. Through his initiative, Behrupiaa Arts, he has recorded the stories of artisans whose creations are deeply rooted in local culture and organises curated tours for visitors. A woman from the Bonda tribe of Malkangiri district of Odisha, weaving a Ringa cloth in their indigenous loom. | It is one of the few textile traditions where a single garment has remained central to the community’s identity for generations.”The fabric is tightly woven and is durable. “This is because it was created as everyday clothing rather than ceremonial attire,” Navaldeep explains. Within Bonda households, weaving has never existed as a specialised occupation. It fits into the rhythm of daily life alongside farming, gathering forest produce and household responsibilities. A ringa cloth woven by the Bonda tribe of Odisha's Malkangiri district. | “Like most Bonda girls, I watched my mother and the elder women weave from a young age.” Mothers guide daughters, while grandmothers quietly correct mistakes until muscle memory takes over. The loom, therefore, functions as much as a family archive as it does a tool for producing cloth. Women of the Bonda tribe, a forestdwelling community, in their village in Odisha's Malkangiri district bordering Andhra Pradesh. Classified as one of India’s Particularly Vulnerable Tribal Groups, the Bonda tribal people traditionally
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